Showing posts with label painting. Show all posts
Showing posts with label painting. Show all posts

Wednesday, 28 January 2015

#604 Museum shows: The Autry Masters


The Masters of the American West at the Autry Museum in Los Angeles opens this Friday, Jan. 30.  
The prestigious show is one of America's most important exhibitions of representational art.  
Eighty of the nation's most prominent painters and sculptors participate in the annual juried invitational, 
which runs through March 8.

http://TheAutryMasters

Shown below, are the four sculptures and one painting that I am exhibiting in the show.
More information about the gala opening and event in next Sunday's blog.


Taurus Rex
19"H 16"W 8"D
6,300


 The Taker
19"H 18"W 11"D


Requiem for the Fallen
16"H 33"W 8"D


All Ears
11"H 22"W 8"D

Below,  since art school and my days in commercial art, I  have enjoyed oil painting.
 They are not to be found in galleries . . . but every year I create one painting
for the Autry Masters miniature wall.

Running Rooster
6" x 8"



Go to the BLOG INDEX on the right for more information.


Blog, text, photos, drawings, and sculpture . . . © Sandy Scott and Trish


Sunday, 16 November 2014

#583 In the Field: Birds of the North Country, con't . . .




This blog is part of a series of posts about
our island studio and cabin located on
Lake of the Woods in Ontario, Canada. 
The series starts with #568, posted
September 24 of this year.  There are
many earlier posts about the cabin that
can be seen by going to the blog index.






Much of my in the field experience and reference is gathered at the 
island studio located on Lake of the Woods.  Starting with blog #578, 
the birds of the North Country including those who remain during Ontario's frigid winter weather have been explored.  The focus 
of this blog is the different species of owls who stay
during the winter in the vicinity of my island studio.

Although we've never wintered at the cabin when the lake is frozen over,  my thoughts often go to the animals who are able to withstand the bitter cold winter months.  Owls are among the creatures who are
able to adapt to a world of wind, ice, and snow.

Among the different species of owls who remain in the frozen North Country in the Lake of the Woods region
are the Great Gray Owl, the Snowy Owl, the Northern Hawk Owl, the Northern Saw-whet Owl,
the Boreal Owl, the Barred Owl, and the Great Horned Owl.


At left above and below are photos of the Great Horned Owl.



Owls are members of the order Strigiformes, are mainly nocturnal predators, have
 distinctive forward-facing eyes which gives depth perception much like your own eyes,
 and a facial disk which helps the bird hear . . . much like a satellite dish.

Owls have the best night vision of any creature on earth allowing them to hunt in the dark.
 Interestingly, one of an owl's ear holes is higher than the other which helps the bird find prey. . .
owls have superb hearing and vision.  The tufts of feathers on some owls are not ears . . .
the ears are behind their moveable facial discs allowing hearing from different directions.
Also, an owl's wing feathers have soft, frayed edges which permits silent flight while hunting.

Below is a photo of a Barred Owl. . . a species without ear tufts.



Below, is a drawing of a Great Gray Owl . . . an enormous, secretive Northwoods owl who more than any other,
defines the Lake of the Woods coniferous forest.  I've experienced the Great Gray only a few times
while in residence at the island studio.  Once, at dusk I heard its distinctive deep hooting and was
finally able to locate it in a pine tree.  On another occasion, I saw the beautiful bird
cruising through the woods on the wing while grouse hunting.



Below, is a head study of a Great Horned Owl.  The drawing was created at the Brookgreen Gardens Aviary
and was the precursor to a sculpture demonstration for students in the workshop.



Below, is the clay model of the workshop demonstration depicting a head study of a Great Horned Owl created at the
 Brookgreen Gardens Aviary.  Also shown, is the bronze casting of the demo entitled, "Wind in the Woods".





Below, is a little acrylic painting of a Snowy Owl created in Alaska during a canoe trip on
the Noatak River recently. The Snowy does not nest in the Lake of the Woods region where my island
studio is located but moves in from its nesting area in the arctic tundra during the winter to feed.

Oil on panel



Go to the BLOG INDEX on the right for more information. 


Blog, text, photos, drawings, and sculpture . . . © Sandy Scott and Trish



Sunday, 9 November 2014

#581 In the Field: Birds of the North Country, con't . . .



This blog is part of a series of posts about my island studio and cabin located on Lake of the Woods in Ontario, Canada.
The series starts with #568, posted September 24 of this year.
There are many earlier posts about the cabin that can
be seen by going to the blog index.



The focus of this post is the Ruffed Grouse and is a continuation of the last post.  The Ruffed Grouse is one of
many birds who do not migrate or move out during the frigid winter of the Canadian North Country.
They can routinely be seen year around on the island where my cabin and studio is located.


Below, is a detail from an original watercolor-tinted etching of a Ruffed Grouse.



Ruffed Grouse are territorial and stakes claim on a territory based on water,  food supply and cover - including vertical cover from raptors such as owls.  Decidious trees such as birch are a food source and conifers are needed for roosting and protection from weather and predators.  All of these things define grouse country and define the island.




Ruffed Grouse are a game bird and just like White-tailed Deer and other territorial species,  it's important to move the animals in the fall to prevent inbreeding and weakening of the gene pool.  The birds will fly the short distance to
other islands or the mainland to breed with other birds and the deer will swim off the island when pursued as well.
 Every ethical hunter and sportsman knows and understands this age old way of nature and conservation.
The hardy winter residents survive in the North Country, multiply in the spring, and survive on this planet.

Below, good Ruffed Grouse hunting can be found on the mainland on old logging roads.
The Canadians call the bird partridge and we like to hunt them with a bird dog.
We  have a Brittany named Penny who is in her element in the fall hunting Ruffed Grouse.
there is nothing like being afield with a bird dog on a glorious autumn day!




At right, Penny is loaded, eager, and ready for the morning hunt.  Ethics abound in every sport and the most basic in hunting
is the concept of fair chase.  There is a great axiom that
states a hunter's best conservation tool is a well-trained
dog . . . hunters have an ethical obligation to retrieve
what is shot and we rely on Penny's nose and
determination to find downed birds in heavy cover.


Below, is an image of a dog who lives the life she was
bred to live . . . exhausted and content,
in front of a wood fire, after the hunt.




Every fall we harvest one or two Ruffed Grouse from the island and eat them for 
Canadian Thanksgiving which is the second Monday in October.   
Ruffed Grouse are excellent table fare and is one of 
the most sought after north woods game birds.


Below, is a good recipe for cooking Ruffed Grouse.  Being a non-migrant, the breast meat is white and
almost any chicken recipe can be used when cooking the bird.  One bird per person works for us.




       Dredge the grouse in flour, salt, and pepper.
       In a cast iron skillet, brown breasts and legs 
       and mushrooms in butter, bacon fat or oil.
       Add a prepared white sauce such as alfredo, 
       mushroom soup, etc.
       Cover, simmer until cooked but not dry 
       During the last few minutes of cooking, 
       add sour cream.
       Serve with wild rice, pasta, or potatoes,
       caesar salad and a crisp Sauvignon Blanc.
     
       Also, a tart side-sauce such as cranberry is
       good with this.



Below, I use the wings and tail as reference in my bird sculpture workshops.



Below, is a little still life painting of a Ruffed Grouse in progress.
The island studio has beautiful north light.



Much of the inspiration for my art is gleaned from the wildlife and wilderness experience that surrounds the studio.
Trish and I have closed the cabin for the season but the influence and memories of the past remains.


Go to the BLOG INDEX on the right for more information. 


Blog, text, photos, drawings, and sculpture . . . © Sandy Scott and Trish

Sunday, 6 April 2014

#519 In the studio: The Tom Browning portrait


Last Sunday, I posted a blog about a new eagle monument in progress in the Wyoming studio . . . 
see post # 517, dated March 30, 2014.  Since then, I've had several inquiries about 
the portrait shown in the upper left corner of the image shown below.

The portrait  in my studio was painted twelve years ago by the superlative painter - Tom Browning.  Tom and Joyce have been dear friends for over 25 years.  Incredibly, one wing of the eagle that I'm now working on, years later, is shown on the far left side of Tom's painting!

This proves the comment I've posted several  times in my
blog that I routinely start a number of different sculptures and keep them "in progress" for many years . . . tweaking, refining, and eventually completing most - but not all - of them.

The Tom Browning painting is what I would grab on the 
            way out if I had a studio fire . . . oh, and the        
Kuhn drawings above the north windows.


 With Browning and Kuhn to inspire me, below are images of works in progress in the
northwest corner of the Wyoming design studio.
















To learn more about the subjects in this blog go to the links below.  

For a complete list of the blog index go to the Index Page and 
type the subject in the Search This Blog link on the right.


Blog, text, photos, drawings, and sculpture . . . © Sandy Scott and Trish
  

Sunday, 2 March 2014

#509 In the library . . . treasures


Over the years I've met many wonderful and interesting people . . . 
among the most memorable are the fine artists whose paths I've been fortunate to cross.
It's been my experience that the bigger the artist's name is in the art world . . .
the bigger that person is as a human being.

Below, are a few treasures I've collected and as you can see,  all are personalized. 
They all have special meaning and bring back memories of times past.
I treasure the art and I treasure the artists.

The two paintings below are by master artist, Richard Schmid.
I bought the first one (below) at the Northwest Rendezvous "quick-draw" and later, after he and 
Nancy moved to Colorado where I was living, we swapped art.  I received the painting, 
"Jackie" which is in his new book and he and Nancy have my sculpture, "Mallard Duet".  
One evening, they came to dinner and surprised me with a painting of the sculpture which I treasure.







Below, are images of the title page from G. Harvey's book entitled,
"Taking Stock: Paintings and Sculpture by G. Harvey", published in 1986.
When Gerald sent the book, I was delighted to discover an exquisite little 
watercolor next to his remark and signature. 





The drawing below is by Howard Terpning.  He and his wife, Marlies, have several of my outdoor 
sculptures in their courtyard in Tucson . . . this treasured drawing was a gift following installation.



The painting below is by one of the nicest and most talented people I know . . . 
the one and only Dan Gerhartz.  I met Dan and Jen very early in his career and purchased 
this painting while it was still wet in Jackson, Wyoming. . . note the bugs in the paint.



The drawing below is by the incomparable, Bob Kuhn.  I had the great experience of being in Alaska for two 
weeks with Bob and a group of wildlife artists in 1989 and we became friends. Over the years, 
I collected many of his outstanding drawings and I miss him, his wit, and his superlative talent.



Below, is one of the greatest treasures in my library . . . personalized by the author, Tony Dyer;
the publisher of Winchester Press, Jim Rikhoff;  the president (at the time) of Game Conservation International, 
Harry Tennison;  and the illustrator, Bob Kuhn.  The many drawings are superb!  
Yes - it's true - I am the caretaker of this magnificent tome . . . a first edition, published in 1973.

After traveling to Africa for the first time last fall . . . 
Oh, what I would give to visit with Bob about his many adventures in Africa!




To learn more about the subjects in this blog go to the links below.  
For a complete list of the blog index go to the Index Page and 
type the subject in the Search This Blog link on the right.





Blog, text, photos, drawings, and sculpture . . . © Sandy Scott and Trish Smith


Sunday, 23 February 2014

#507 Throw on another log . . . whisper


There really are no hard, fast rules or principles of design, 
but simplicity, harmony, and subtlety can be a guide.  
Sculpture does not have to shout - it can whisper.

It's possible to put as much, if not more, 
vitality into a sculpture of an animal in a tranquil pose as in 
one depicting violent action.  The viewer can tire of the latter.  

A work of art combines composition, proportion,
and the arrangement of shapes and form to lead
the view to an artistic conclusion.


The greatest expression is communicated through the largest shapes.
The sculptor must say as much as possible with the large forms before being concerned with detail.

There's no technique or trick that can be taught to explain how to create a good, strong shape.
The theory must be felt or sensed to be understood by both the viewer and the artist.
Just as a whisper makes one listen more closely, one looks with greater understanding at uncomplicated
sculptural statements.  Power is gained through simplicity and simple shapes tell greater truths.

Below, are sculptures of quiet poses, modeled from life . . . the style,
sentiment, and spirit was derived from the subject.

Preening Cat


Solitude


Sleepy Fox


Cougar at Ease


Eclipse



To learn more about the subjects in this blog go to the links below.  
For a complete list of the blog index go to the Index Page and 
type the subject in the Search This Blog link on the right.


Blog, text, photos, drawings, and sculpture . . . © Sandy Scott and Trish Smith

Sunday, 2 February 2014

#501 Museum Shows: The Autry, con't . . .





The Autry weekend is over and below are
 images and memories of one of the most important
exhibitions of representational art in the country:
The Autry Masters.  
I enjoyed good sales, met lots of collectors and saw many old friends.






The exhibition is open Sat. Feb 1, through Sun, Mar 16, 2014
 more information start with post #498, Jan. 22 and go to

Below, the high-relief sculpture, Hawkeye, is mounted for a wall hanging.




Below, Great Horned Owl, 5 x 7 oil on panel.





Below, are images of the new works that were introduced at the
Autry Museum's Masters of the American West Exhibition and Sale.














Blog, text, photos, drawings, and sculpture . . . © Sandy Scott and Trish Smith