Showing posts with label camp. Show all posts
Showing posts with label camp. Show all posts

Wednesday, 13 November 2013

#478 In the field: Africa . . . con't


Please start this series of posts with post #477.

Before meeting the artist group in Arusha and traveling to Tarangire, Trish and I arrived in Africa early and spent a week in Ngorogoro Crater and the Serengeti.  The name Serengeti means 'endless plains' and is derived from the Maasai language.

Below, a cheetah finds shade under an acacia tree in the beautiful Serengeti.



We had an excellent guide - named Bariki - who, like our guides in Tarangire, was extremely knowledgable about animals, plants, ecosystem, history, and every aspect of the African experience.   To my delight, he was an avid birder and could spot, identify, and discuss the many species we encountered.  Simply put:  He was a walking encyclopedia and we learned much from him.

Shown below is our guide, Bariki with Trish.  His tribe is located southeast of the Ngorogoro Crater . . . he spoke excellent English and traveling with him as a private guide was a profound learning experience.

Also pictured, is his favorite bird:  The Lilac-breasted Roller.  More than 500 species of birds have been recorded in the Serengeti . . . some of them Eurasian migrants which are present from October to April.





While in the Serengeti, we stayed in the bush in a tented camp.  The spacious, comfortable tent had a floor, bathroom, shower and exceeded all our safari expectations.  Shown below, is our tent, the interior, and a view of the dining tent from our porch.







We had lion and hyena in camp after dark and the Maasai kept a fire going and patrolled throughout the night.  
I'll never forget the sounds the animals made . . . they will remain with me for the rest of my life. 
A full moon added to the drama, and after the first restless night, 
an unfamiliar peace came over me and I accepted the situation in dreamy, sound sleep.



Below, the evening glow of kerosene lanterns added to the charm and ambiance in camp.



Our routine in the Serengeti began with an early breakfast and a game drive to nearby waterholes to experience the spectacular concentration of plains animals.  We returned to camp every day at noon for lunch as both we and the animals sought shade in the intense heat.  We stayed in camp for about 4 hours before returning to the field until sunset.  Below, a picture of zebras at a water hole and lunch with a welcome cold refreshment at camp.


Africa produces great beer; we enjoyed Safari, Tusker, and Kilimanjaro.


I used the 4-hour downtime during the heat of the day to work with my field guides, and, thanks to the immediacy of digital photography, draw in my sketchbook.  Trish and I each took over 10,000 pictures during our 3 weeks in Africa. The daily game drives were full of action and I did not spend my time sketching in the field with so much activity. 

Below, photographing from the open top of the Land Rover.  

  

We saw lots of different quadruped and bird species but when I think of the Serengeti, I think of the cats:  we saw many lion, leopard, and cheetah.  Although we saw elephants and we were ever mindful of our anti poaching purpose for being in Tanzania, Bariki reminded me that the upcoming trip to Tarangari was the best place to experience elephants.


Below, one of many lion photographs.



More about Africa in next Wednesday's post.

Blog, text, photos, drawings, and sculpture . . . © Sandy Scott and Trish Smith

                   

Sunday, 10 November 2013

#477 In the field: Africa . . . introduction


Several days ago, Trish and I returned from an incredible and productive field trip to Africa with a group of artists. African Wildlife Trust, in conjunction with Safari Legacy hosted the event in Tarangire National Park, Tanzania.
We photographed, sketched, painted, observed, and experienced the amazing wildlife that Tanzania has to offer.




The purpose of the trip was and is to raise awareness and funds to combat the international poaching crisis . . . particularly in hard-hit Tanzania, where ten of thousands of elephants are slaughtered annually for their ivory tusks.




The internationally known group of artists on the field trip is shown below:  From left to right, Julie Askew (England);
Tony Pridham (Australia); John Agnew (USA); Jan Martin McGuire (USA); James Gary Hines II (USA);
Paul Dixon (South Africa); me; Robert Caldwell (USA); and Dale Weiler (USA).



Our group of artists was hosted by Kikoti Camp.  The beautiful and unforgettable camp, located a few miles from Tarangire Park,  was reminiscent of a Hollywood set or a scene from the movie, "Out of Africa". . .
stunning in its remote setting, charming with its good food and amenities, and alive with wildlife.





Below, preparing for dinner as the sun sets over Tarangire.





Below, Trish and I enjoy breakfast at Kikote Camp.






Below, Maasai tends the fire at Kikoti Camp.




African Wildlife Trust is an African based NGO that was developed out of concern and spreading much needed awareness for the excalated poaching crisis in Tanzania.  Ongoing projects include establishment of anti-poaching units and working with a team of conservation consultants to focus on proactive, effective wildlife law enforcement.

As "artist ambassadors" and in an effort to raise awareness and funds, we are planning several museum and gallery shows of artwork that will be created as a result of the profound wildlife experience in Tanzania.


Below, is a photo of a female waterbuck.  A loose herd of mostly females were routinely seen at Kikoti Camp.  Waterbucks have a strong odor that humans can smell from 1500 feet.





More about Africa in next Wednesday's post.


Blog, text, photos, drawings, and sculpture . . . © Sandy Scott
                 

Tuesday, 13 November 2012

#342 In the field: Grouse


Trish and I have a bird dog named Penny.  She is a beautiful American Brittany and we love to take her hunting during autumn hunting season.

We spend much of the fall at our cabin/studio on an island on Lake of the Woods in Ontario.  The island, mainland, and logging roads were loaded with grouse - called partridge in Canada - this year.  The birds are excellent table fare and I save the wings and tails for reference material in the studio and for teaching bird sculpture and anatomy workshops.

Didn't the years pass happily, 
while we hunted on together,
Across the hills and dales of life,
in any old kind of weather?
                   - Nash Buckingham




Below, drawing of a wing.  Copyright, Sandy Scott