Shown below, is the Above Timberline monument in clay. See yesterday's post, #270.
The sculpture is designed to be mounted on a metal frame and installed with natural terrain and dry-stacked rock.
The work is site-specific; landscaping an elevated berm enhances the visual impact.
Note the plaster maquette with the chipped leg. I love working from a plaster model, as I was taught in art school . . . subtle planes and shadows are revealed with low lighting.